In my current practice as a sculptor I am trying to achieve the forms that are minimal in structure, yet have a pertinent geometrical language. These forms are motivated from day to day life as my observation towards society and how I look at the environment and its existence.

The clean and bright surface of the sculptures are deceptive, it resembles the stories, feelings and emotions towards human differences and relations. There are the forms of flowers, seeds and many tentative living things that we live in our surroundings.

Bright paints create a layer of familiarity and affection towards otherwise sharp and heavy material and practice, which they conceal, inviting the viewer to come closer to the spatial intervention. These Sculptures have highly opinionated surfaces that project in multiple directions.